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The room of requirement: working together to set up a digital preservation lab at State Library Victoria
This blog has been written by Carey Garvie, Senior Digital Preservation Specialist, Library Systems & Digital Preservation and Susannah Bourke, Digital Archivist, Description Original Materials at State Library Victoria This year’s theme for World Digital Preservation Day - Digital Preservation: A Concerted Effort feels extremely pertinent to our experience over the last year. In December 2022, State Library Victoria appointed two new Digital Preservation positions. Together these...
Does net zero emissions from energy usage in the cloud mean carbon free digital preservation is on the horizon?
Matthew Addis is the Chief Technology Officer at Arkivum. If cloud infrastructure providers such as Google, AWS and Azure have net zero emissions from their use of energy, then does this mean we no longer need to worry about the carbon footprint of digital preservation in the cloud? The answer is no. Carbon emissions from energy consumption is just one part of the story. The embodied footprint [7] of all the ICT servers that run in the cloud also needs to be taken into...
Preserving Born-Digital Design and Construction Records: Member preview of new DPC Technology Watch Report
The Digital Preservation Coalition (DPC) has released a Member Preview of a new Technology Watch Report on Preserving Born-Digital Design and Construction Records by Aliza Leventhal and Jody Thompson, today. Preserving Born-Digital Design and Construction Records aims to support archival professionals, as well as active designers and facilities managers, considering acquisition, preservation, and access approaches that account for both the technical and cultural components of the broad range...
3D scanning and virtual reality environments at the University of Bristol.
Emma Hancox is Digital Archivist at the University of Bristol. As well as digitising two dimensional materials, at the University of Bristol we have been experimenting with three-dimensional scanning methods. We are actively engaged in digital preservation and the creation of 3D scans creates its own set of challenges. In terms of access, we have started working on ways of increasing interaction with the 3D models we create breaking down barriers, giving our collections a wider reach and...
New Models for Preservation: Photogrammetry at the University of St Andrews Libraries and Museums
Sean Rippington is Digital Archives and Copyright Manager at the University of St Andrews Photogrammetry – taking overlapping photographs of an object and converting them into 3D digital models – has become business as usual for the University of St Andrews Libraries and Museums. Driven by the push to provide more, different, and better types of online access to our collections for teaching and learning during the pandemic, we now have over 170 examples on our IIIF-based Collections...
3D Data, CAD files and GIS Data: Three DPC Technology Watch Guidance Notes now available on general release
The Digital Preservation Coalition (DPC) has made the next three Technology Watch Guidance Notes in the new ‘Data Type’ series available on general release today. The topics covered in the set are: 3D Data, CAD files and GIS Data. Authored by staff at Artefactual Systems in collaboration with the DPC and developed in conjunction with the UK Nuclear Decommissioning Authority, each of the Guidance Notes in the Data Type series is designed to provide a primer on the current state of community...