Blog

Ana Yuri Ramírez-Molina, Alberto Castro Thompson, Lisandro Pablo Olivares, Coordinación de Innovación y Estrategia Digital de la Biblioteca Nacional de México.

Due to the events of the pandemic, in Mexico and all around the world, people have modified the way they work and communicate and have turned to new technologies that facilitate digital connections. These technologies are important in the teaching and learning process and can have a significant social impact if used in education as a means of achieving social development. Institutions in charge of safeguarding the knowledge generated by the society play a key role in this permanent process of human development, as they are holding responsibility of ensuring continuity of digital heritage materials as long as they are needed.

Nancy McGovern is Director of Digital Preservation at MIT. 

WDPD’s theme Breaking Down Barriers is perfect for this year! I know I’ve been working on all kinds of barriers this year. These are some of my barrier busting examples from this year:

ICA Managing Digital Archives course: This one comes first because it’s the most recent – it’s launching today! It’s been so rewarding to collaborate with Margaret Crockett at ICA, my co-creator, with significant contributions from Kari Smith of Global Archivist. One of our objectives was to help organizations with limited resources, a common barrier, to build their capacity by providing an accessible and comprehensive course that is lifecycle-based and grounded in standards and good practice. More info here: https://www.ica.org/en/ica-online-course-managing-digital-archives 

This post was written by the team of the Time Machine Organisation.

This year´s World Digital Preservation Day’s theme “Breaking Down Barriers” points to how digitisation is the road into the future and holds numerous opportunities in various areas. Moreover, “the aim of World Digital Preservation Day is to create greater awareness of digital preservation that will translate into a wider understanding which permeates all aspects of society – business, policymaking, personal good practice” (cited from dpconline.org) – a conviction that is shared by the Time Machine network and that we would like to outline for you on this occasion.

Dan Noonan is Associate Professor/Digital Preservation Librarian at The Ohio State University and the Coordinating Committee Chair at NDSA.

This year as we celebrate World Digital Preservation Day, we contemplate how we can break down barriers to enable success, not just for ourselves and our personal institutions and organizations, but for the greater global community. Digital preservation is not a state that is achieved; rather it is a comprehensive set of managed activities that are necessary to provide continued access to digital objects, beyond the limits of media failure or technological change. These managed activities do not happen within one division, department or unit of an institution or organization, nor do they necessarily happen solely within one particular entity. Therefore, it is appropriate to consider the framework for this collective work as an ethos, which is described as the characteristic spirit of a people, community, culture, or organization as manifested in its attitudes and aspirations.

Karen Hanson is Senior Research Developer at Portico.

The scholarly community continues to experiment with new ways to present research. Today’s publications may include features such as interactive visualizations, data-driven experiences, extensive multimedia integrations (often with media hosted on third party platforms), user annotations or comments, non-linear navigation, and more. Meanwhile, keeping pace with preserving this increasingly complex network of born-digital materials is ever more challenging. To preserve these forms of scholarship effectively and at scale, one path forward is for preservation experts, platform developers, and publishers to work together to break down technical barriers for preservation.

Jeanne Kramer-Smyth is Digital Archivist with the World Bank Group Archives. 

There are so many cliches about how hard it is to get from “almost done” to “done”.  Cliches like, “the last 10% of the work takes 90% of the time” and  “the last mile is the longest” can feel all too real. The barrier I am most obsessed with these days is the “last mile” between transfer and ingest of digital records.

At the World Bank Group Archives’ digital preservation program we are diligent in our efforts to work on all the traditional components of archival work with digital records, including appraisal, transfer, ingest, description, preservation, and access. Each component presents its own challenges, but getting from transfer (which I define as “bringing digital records into archival custody”) to ingest (which I define as “moving digital records into the Digital Vault, our digital preservation platform”) often feels larger than all the others.

Kate Murray, Digital Collections Management & Services at Library of Congress.

The Federal Agencies Digital Guidelines Initiative (FADGI) Audio-Visual Working Group, a collaborative group of US federal agencies led by Library of Congress since 2007, has had a busy year! We’ve released three updated projects in September to support its ongoing work with developing good practice guidelines and open source tools for digital audiovisual content and digital preservation practices.

Elizabeth England, Digital Preservation Specialist and Leslie Johnston, Director of Digital Preservation both from the U.S. National Archives and Records Administration.

As part of its Digital Preservation Strategy, the United States National Archives and Records Administration (NARA) has goals associated with the ongoing review of its program and with ensuring that agency staff have appropriate training. Discussions with our internal digital preservation advisory group confirmed the findings from our ISO 16363 self-audit in 2019 that NARA staff in a variety of roles are unfamiliar with the goals and activities that are part of digital preservation, as well as the technologies used, NARA-specific activities and programs, and the regulations and guidance that NARA produces and abides by to ensure that the permanent born-digital and digitized records of the federal government are managed, preserved, and made accessible.

Teresa Soleau is Digital Preservation Manager and Alexis Adkins is Institutional Archivist. They work at the J. Paul Getty Trust.

As one of the newest members of the DPC we are thrilled to start working more closely with others in the digital preservation community, hearing about their work and sharing ours. As a first step in that direction, we’re going to share with you some web archiving work we’ve done in the past year. At Getty we don’t have a specific person dedicated to web archiving so the work is done collaboratively between staff in Institutional Records and Archives and Getty Digital.

Gabriela Andaur Gómez, Archivera del Archivo Electrónico del Archivo Nacional de Chile // 

Gabriela Andaur Gómez, Archivist of the Electronic Archive of the National Archive of Chile

[ENGLISH FOLLOWS]

Quienes trabajan en instituciones comprometidas con el patrimonio documental, saben que puede resultar desafiante transmitir la relevancia y urgencia de la preservación digital como área de desarrollo permanente. La complejidad del trabajo técnico y la necesaria inversión de recursos que implica, pueden ser difíciles de justificar cuando los resultados no son visibles de manera inmediata. Por el contrario, sabemos que el valor de la preservación digital se revela con particular fuerza en la medida en que transcurre el tiempo, mucho más allá de lo que el corto plazo nos permite anticipar.